Saal Digital – Wall Decors

The service, quality of product, packaging, and delivery were above and beyond from Saal Digital, overall the product is something I would offer my clients and would recommend to other professional photographers, I will use Saal Digital for future printing.

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I chose to order an Alu-Dibond wall decor, from Saal Digital, this is a product that I have never used before.

Alu-Dibond is a panel that consists of two aluminum sheets with a polyethylene core, which makes the artwork, strong and durable, you have the option of including wall fixings with your product, I chose not to have this, as I want to frame the art work.

Below is a quote from the Saal Digital website, where they describe the printing process, the print quality is outstanding and finished to a very high standard.

The print has an impressive saturation and colourfulness with high resolution and sharpness. It is realized through the newest direct UV printing with 6 colours instead of 4, including light inks, and sixfold UV cure. Even large and monochromatic areas are resplendent in saturated colours and absolute subtlety and fineness.

The image below shows the quality of the packaging, the art work, is laid on foam, backed by 3 layers of corrugated card, shrink wrapped, then packaged again in string corrugated card, it arrived in perfect condition.

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This is another altered print, that was soaked in sea water, again challenging to keep the vibrant colors, and detail in the printing, I’m very impressed with the quality and service from Saal Digital.

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Here’s a close-up section of the busiest part of detail…

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I can’t grumble, the service, quality of product, packaging, and delivery were above and beyond from Saal Digital, overall the product is something I would offer my clients and would recommend to other professional photographers, I will use Saal Digital for future printing.

Return of the Macks 2017 (part one)

Travelling up to Leicester on a Friday, wasn’t as straightforward as it should have been, we had to go via Cheltenham so that I could hand in my last workbook, for the degree show, also the trains were delayed and we missed our connection in Brum, the weather ahh yes glorious sunshine and hot…(Lokey gets grumpy on overcrowded cattle wagons, when it’s a beautiful hot, sunny day – ideal painting conditions).

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So we got to Leicester an hour or so later than we had wanted, checked into the hotel, then headed to Culture Quarter, to check out what had been painted in the lead-up to the main event. What images I did take were on film (I haven’t sent them away for developing yet), after having a walk around, and catching up with a few people who still painting in the failing light, we ended up in The Exchange (lovely bar and they serve tea and cake too), now the choice’s of Cider for a Bristolian were limited, they had some bottled stuff that was apple or strawberry, or the only cider on tap… ‘Cloudy with a chance of shit-faced – a proper clear, flat cider that only West Country folk would have the balls to drink, now remember we were all bottle fed and weaned on ‘Traditional Thatcher’s’.

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As writer’s do, there was the usual ‘pass’ the black book (It’s a writer thing, if you’re all together with peeps from out of town, you generally sign, tag or draw in each other’s black books, it’s a way of commemorating the event). It was good to catch up with old friends and new, I met and spoke to some interesting people, from all walks of life,

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some people were meeting their idols for the first time, others were old friends and crew members, who may as well be family as they’ve known each other since childhood, it was like any other night down the pub, convo’s from work, art through to family life… normal people shit, it’s wasn’t like one of these lads nights out, where get’s sloshed in the first hour, cause havoc in the town, the odd fight, and someone being nicked, it was like being in one of, those, 18th century Gentlemen’s Club’s (where no females were allowed) very civilised and somewhat posh, though we were all outside, due to it being rather humid!

This night ended a little later than planned, and the hotel, the humidity, when we walked through the fire door, towards our room, was like stepping off of a plane in Adelaide in a 100+ temp… Humidity and dehydration mean one thing, a mother f8cker of a hangover for some people! (I don’t drink by the way!)

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Those that were drinking ‘Cloudy with a chance of shit-faced’, didn’t touch it on Saturday night…

 

You can read my previous ramblings here Return of the Macks… (History) and view more image’s, from the ‘Return of the Macks’ on my website.

Romany WG – Jeremy Gibbs

First and foremost Mr Gibbs is a Film Editor, he worked on one of my favourite films, Dune(1984), as well as Enemy at the Gates(2001) and Property of the State (2016) to name a few.

Gibbs’ is known throughout the world for his photography and has six photo books to his name, the latest being ‘ALL IS NOT LOST‘ which feature’s Models in abandoned buildings.

His underground legendary Urbex status was confirmed when he published a collective book, ‘Beauty in Decay’, in which 49 international Urbex photographers show the best of their work. He followed this with ‘Out of Sight’ which displays a collection of his most beautiful images of street art found in abandoned places across Europe. ‘Altered Images’ focuses on emerging contemporary artists working at the cutting edge of post-production image creativity today and ‘Burn After Reading’ showcases the very best street art and graffiti. His latest book was “Beauty in Decay ll’ a follow up to the first volume with 192 pages of his own photographs.

ALL IS NOT LOST has been five years in the making and elevates Romany WG’s work to a new level.

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To purchase photo books by Romany WG click here. To see more of  Romany WG’s work see Facebook and Flickr.